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“金唱盘: 非空约束失败”陈抱阳个展

城市上海 - 上海
地点上海市普陀区莫干山路50号15号楼101
时间2020-07-25~2020-11-01
“金唱盘: 非空约束失败”陈抱阳个展,共6点击查看组图

Cc基金会&艺术中心荣幸地宣布将于2020年7月25日至11月1日呈现艺术家陈抱阳个展“金唱盘: 非空约束失败”。

本次展览涵盖多种艺术表现形式,是陈抱阳2020年首个机构个展,亦是其迄今为止新作最多的展览。展览囊括数字影像、数字交互装置、AI视频等多种数字媒体艺术形式,探索艺术、科技与人类之间的多元关系——通过对AI与社会想象之间联系的解读,审视和思考科技革命制造的人与机器共生的未来世界,从而为观者打造出独特且多元化的科技艺术感官体验。

展览中文标题中的“金唱盘”源于1977年随旅行者探测器发射至外太空的两张唱片。这两张唱片收录了地球上各种文明及生命体的语言、声音及图像,承载着人类对宇宙其他高智慧生物共存的想象。自2016年纽约个展陈抱阳开始了对于 “定义与边界”这一概念的探索,“我们对AI的期望和惶恐,既是对AI做出的预测,也是一种限制。”正如同“非空约束失败”即“Not Null Constrain Failed”的直接翻译,用于标示在编程中对某变量忘记做出定义而引发的错误。“变化必然来源于标准化,我们自然不能无故无数,但我们可以积极的去幻想”。此次,陈抱阳希望观者如同看待在浩瀚宇宙中漂浮的金唱盘一样,以一种积极而又诗意的态度去看待充满未知的人工智能领域。

展览的空间逻辑源于作品中的隐性空间叙事线——将展厅置于一种现实与虚拟交错的世界缝隙之间。5件2020年的新作和1件19年于ART021 Cc基金会项目展出的旧作共同组成了艺术家陈抱阳的“金唱盘”。作品结合AI技术的表现手法,搭乘艺术探测器去往无限未知的征程,在未来的某个时空节点与AI预测的幻想重合。在此语境下,展览中的观者成为艺术家探索的延续,观者的疑问自展览而起,未必在展览中得以解答,就如同艺术家陈抱阳说的“艺术是追求真理的过程,并不是终点。”1977年的金唱盘上唯一一段普通话的留言是:“各位都好吧?我们都很想念你们,有空请到这来玩.......”于是就有了本次展览的这段旅程。

本次展览将从2020年7月25日持续至2020年11月1日。


关于艺术家
陈抱阳是一位工作在科技与艺术之间的创作者。他于2016年毕业于哥伦比亚大学获硕士学位。他的艺术创作来源于他对于科技不仅仅是一种创作手段的思考——科技如今之于艺术家更像合作者。他经常对现有科技进行修改,不将它们置于产品经理预设的应用场景里,而是将其与自己的创作思维结合。他对于“作为作者的科技”有写作与研究。通过对科技本体论的研究,探寻科技与艺术家及大众之间的关系。他的研究被发表于IJCAI,IEEE,ACM等会议与期刊,也是EMNLP的评审成员,历任MMEDIA 2020 AI+Art主席。他的个展包括仿生人会梦见电子奶牛吗2.0(武汉K11,武汉,中国,2018),仿生人会梦见电子奶牛吗(杨画廊,北京,中国,2017),不可能的即兴(云图画廊,纽约,美国,2016)。

关于Cc基金会
Cc基金会成立于香港和上海,由收藏家和企业家周大为先生创办与支持。位于上海M50艺术园区的非营利空间于2016年11月初正式成立,致力于促进当代文化艺术及教育事业的发展,长期赞助年轻的文化艺术工作者,鼓励新观念,推动中国及国际当代文化艺术事业的发展。

Cc Foundation is pleased to present Golden Record: Not Null Constraint Failed, an exhibition by artist Chen Baoyang from July, 25 to November 1, 2020.

This exhibition is the artist's most comprehensive exhibition anywhere to date and his first institutional solo show in 2020, Including his many new artworks. It covers various art forms of Chen's creative output, winding through his extensive stylistic and thematic evolutions by a digital image, digital video, digital interactive facility, AI and other digital media forms; exploring the multiple relations between art, science, technology and human-through interpreting the intrinsic connection between AI and social imagination, reexamining and reflecting on the future co-existed world of man and machine created by technology revolution, thus creating a unique and diverse art sensory experience of science and technology for the audience.

The exhibition's title Golden Record is inspired by the two records which were sent to the Voyager spacecraft in 1977. These two recordings contain the languages, sounds, and images of all civilizations and life forms on Earth and bear human imaginations of other intelligent beings' co-existence in the universe. Since the solo exhibition in New York in 2016, Chen begins to explore the concept of "definition and boundary." "Our expectations and fears of AI are both predictions and limitations." The title "Not Null Constraint Failed" indicates a failure to define a variable in coding. "Changes must come from standardization. We can't be infinite for no reason, but we can be positive to fantasy." This time, artist Chen hopes that the audience can view the unknown AI field with a positive and poetic attitude, just as they see the golden record floating in the vast universe.

The exhibition's spatial logic stems from the artworks' implicit spatial narrative line, placing the exhibition space between reality and the virtual world. The body of the exhibition consists of artist's five new artworks in 2020 and one previous work in the ART021 Cc Foundation project in 2019, presenting a complete picture of Chen's creative and artistic contribution of AI exploration. In this context, audience becomes the continuation, their questions are raised from the exhibition, but may not be answered in the exhibition. Just as artist Chen said, "Art is a process of pursuing truth, but not an end." The only message on the Golden Record in 1977 was: "Hello from the children of planet Earth." So there comes a part of the journey in the exhibition.
The exhibition Golden Record: Not Null Constraint Failed will last from July 25,2020 to November 1,2020.


About the Artist
Baoyang Chen (b. 1989) is an artist who works at the intersection of art and technology. He graduated from Columbia University with a master's degree. Chen's artistic practice originates from his thinking that technology is more than a way of making art, yet becoming a collaborator of the artist. He often hacks the technology by altering its default application, to further fulfill his artistic goal. He also writes about "Technology as Author." By synthesizing our collective experience with the desire to answer the ontological and ethical question of technology, he examines the boundary between us, machine, and beyond, in-between perceptual and embodied space. His research has been published in conferences and journals of IJCAI, IEEE, ACM, and etc. He is also a review member of EMNLP and served as chairman of MMEDIA 2020 AI + Art. His solo exhibitions include Do Androids Dream of Electric Cows 2.0 (K11 Wuhan, Wuhan, China), Do Androids Dream of Electric Cows (Gallery Yang, Beijing, China, 2017), The Framework (Cloud Gallery, New York, USA, 2016).

About Cc Foundation
Cc Foundation, founded and supported by collector and entrepreneur David Chau, is committed to supporting and sponsoring young and emerging practitioners, encouraging innovative ideas, and promoting the development of contemporary arts and culture in China and beyond. With offices in both Hong Kong and Shanghai, the foundation launched its non-profit space in Shanghai in 2015.

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